Video of me reading in September at NYC Sunday Salon. I was nervous. :-)
Click here.
Sunday, November 27, 2011
Friday, November 18, 2011
Writing Off Script has a shiny new book trailer!
And here it is!
WRITING OFF SCRIPT Trailer from Morris Hill Pictures on Vimeo.
Monday, November 7, 2011
Writing Off Script has a release date!
On December 1st, Writing Off Script: Writers on the Influence of Cinema will be available as an e-book! Proceeds benefit Joplin Public Schools Tornado Relief Fund, so please, please, pretty please buy a copy.
My essay, "All the Moon Men We Have Loved," will appear in the anthology, along with wonderful essays by Greg Olear, Robin Antalek, Nathaniel Missildine and interviews with Art Edwards, Simon Smithson, and many others. Writing Off Script is edited by Cynthia Hawkins and published by Calavera Books.
Here's a sneak peek at the fabulous cover!
My essay, "All the Moon Men We Have Loved," will appear in the anthology, along with wonderful essays by Greg Olear, Robin Antalek, Nathaniel Missildine and interviews with Art Edwards, Simon Smithson, and many others. Writing Off Script is edited by Cynthia Hawkins and published by Calavera Books.
Here's a sneak peek at the fabulous cover!
Tuesday, November 1, 2011
Manhattanville Faculty Reading
If you're in the vicinity of Purchase, NY tomorrow evening, please join me for the Manhattanville Faculty Reading, 7pm in the library. I'll be reading with Greg Olear, Kris Jansma, Jonathan Tropper, Jeff Pearlman, and many other professors and students from the Undergraduate Writing Dept. Promises to be a great night!
Click here for more.
Click here for more.
Tuesday, October 25, 2011
New Review of Bone Worship
I'm humbled and amazed that nearly two years after Bone Worship was published, it's still being read and reviewed. Have a look at blogger Jessica's (of Life According to Jessica) lovely review here.
Thank you, Jessica!
Thank you, Jessica!
Wednesday, August 10, 2011
Listening
Our house juts into the woods, under the shadows of trees and into the air space of moths, and so for a time we’ve been allowed inside the thrum of summer. Leaves turn in the ghostly breeze of dusk, their papery faces meeting like secret lovers. Dogs and children run hard over the rocks, their hearts racing each other into the dark. Bats echo-locate dinner and each other, twitchy gray forms slicing past.
Very easily the summer din could claim us, play us as ancillary instruments. I’d be okay with that. I offer my spine as a xylophone.
Listen, now. Moth wing. Ping of solid bone.
Each morning, the vines come closer. Jetty dragonflies rest their wings on the wood steps, miniature helicopters cooling their engines.
One morning, I open the curtains and meet a cicada clinging to the window screen. Her eyes bloom out of her head like poppyseeds. Her mouth-grill scrapes tiny spiders from the mesh. I listen to the whisper of her eating breakfast as coffee slides down my throat.
This summer is loud and fast. It shoves past me, spins my head. A million sounds at once.
I’m listening.
At the end of the month, I’ll be teaching here. I’ll share stories with my students, and they’ll share their stories with me. I’ll listen. I’m so lucky to be able to listen.
I wrote some stories, linked by tendrils, by dragonfly wings, into a collection called The Hibernarium. I was lucky. The Hibernarium has been named a finalist for the Flannery O’Connor Award for Short Fiction.
I and a lot of other writers have contributed essays for Writing Off Script: Writers on the Influence of Cinema, the e-anthology brainchild of writer, editor, and TNB contributor Cynthia Hawkins, forthcoming from Simon Smithson’s Calavera Books. We all watched coverage of the tornadoes in Joplin and wanted to help, and with the wisdom and guidance of Cynthia Hawkins, we did the only thing we know to do. We spoke. We built a city of words.
Proceeds from the anthology benefit JET-14 via Joplin Schools Tornado Relief Fund. We hope you’ll buy and read it.
We hope you’ll listen.
Very easily the summer din could claim us, play us as ancillary instruments. I’d be okay with that. I offer my spine as a xylophone.
Listen, now. Moth wing. Ping of solid bone.
Each morning, the vines come closer. Jetty dragonflies rest their wings on the wood steps, miniature helicopters cooling their engines.
One morning, I open the curtains and meet a cicada clinging to the window screen. Her eyes bloom out of her head like poppyseeds. Her mouth-grill scrapes tiny spiders from the mesh. I listen to the whisper of her eating breakfast as coffee slides down my throat.
This summer is loud and fast. It shoves past me, spins my head. A million sounds at once.
I’m listening.
At the end of the month, I’ll be teaching here. I’ll share stories with my students, and they’ll share their stories with me. I’ll listen. I’m so lucky to be able to listen.
I wrote some stories, linked by tendrils, by dragonfly wings, into a collection called The Hibernarium. I was lucky. The Hibernarium has been named a finalist for the Flannery O’Connor Award for Short Fiction.
I and a lot of other writers have contributed essays for Writing Off Script: Writers on the Influence of Cinema, the e-anthology brainchild of writer, editor, and TNB contributor Cynthia Hawkins, forthcoming from Simon Smithson’s Calavera Books. We all watched coverage of the tornadoes in Joplin and wanted to help, and with the wisdom and guidance of Cynthia Hawkins, we did the only thing we know to do. We spoke. We built a city of words.
Proceeds from the anthology benefit JET-14 via Joplin Schools Tornado Relief Fund. We hope you’ll buy and read it.
We hope you’ll listen.
Thursday, June 23, 2011
On Facebook, Technology, and the Nature of Friendship
They tell me I’m better on the Internet. Funnier on Facebook, more oomph than “IRL.” I’m not sure how to feel about this. I suppose my avatar is something of an improvement, a jovially connected version of myself, my greatest hits, quickest comebacks, and most “likeable” observations. Version 2.0 as Zadie Smith says in her controversial essay, “Generation Why?”
Smith is one of many writers who have taken to “struggling against” Facebook lately, worrying how a generation whose umbilical cords are on display in their parents’ profile pictures will fare over time. Not to spoil the surprise, but she isn’t terribly enthusiastic about their future. Unwilling to go gentle into Smith’s dark night, The Atlantic’s Alexis Madrigal followed with a considerably more optimistic, less end-times approach, defending social media while targeting the motives of literary writers who moonlight as Facebook critics. Most recently, Jonathan Franzen explored the limitations of Facebook in his New York Times essay, citing technology as an impediment to love and an enabler of narcissism.
Franzen’s essay, excerpted from a commencement speech he delivered at Kenyon College, details his transformation from BlackBerry devotee to birder as if describing a path to redemption. Jesus in the form of a rufous-sided towhee. It’s a brilliant piece – as are all three of these – and his celebration of hard earned love is undeniably admirable, if a tad easy. In making his point, Franzen designates technology (special mention goes to Facebook) as the bogeyman to his more authentic, love-filled existence.
“The ultimate goal of technology,” Franzen writes, “is to replace a natural world that’s indifferent to our wishes…with a world so responsive to our wishes as to be, effectively, a mere extension of the self.” In other words, the idea that Facebook and its software kin have allowed us to abandon the real world to escape into a world of our own design, and thus our own vanity... To read the rest of this essay at The Nervous Breakdown, click here.
Smith is one of many writers who have taken to “struggling against” Facebook lately, worrying how a generation whose umbilical cords are on display in their parents’ profile pictures will fare over time. Not to spoil the surprise, but she isn’t terribly enthusiastic about their future. Unwilling to go gentle into Smith’s dark night, The Atlantic’s Alexis Madrigal followed with a considerably more optimistic, less end-times approach, defending social media while targeting the motives of literary writers who moonlight as Facebook critics. Most recently, Jonathan Franzen explored the limitations of Facebook in his New York Times essay, citing technology as an impediment to love and an enabler of narcissism.
Franzen’s essay, excerpted from a commencement speech he delivered at Kenyon College, details his transformation from BlackBerry devotee to birder as if describing a path to redemption. Jesus in the form of a rufous-sided towhee. It’s a brilliant piece – as are all three of these – and his celebration of hard earned love is undeniably admirable, if a tad easy. In making his point, Franzen designates technology (special mention goes to Facebook) as the bogeyman to his more authentic, love-filled existence.
“The ultimate goal of technology,” Franzen writes, “is to replace a natural world that’s indifferent to our wishes…with a world so responsive to our wishes as to be, effectively, a mere extension of the self.” In other words, the idea that Facebook and its software kin have allowed us to abandon the real world to escape into a world of our own design, and thus our own vanity... To read the rest of this essay at The Nervous Breakdown, click here.
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